Andreas Feininger quotes

 
approved √ 

«Realism and super-realism are what I’m after. This world is full of things the eye doesn’t see. I mean even the eye of a senesitive person. The camera can see more, and oftentimes better.»

reference:The Best of Popular photography,1979, page 69

 
approved √ 

«Two factors thus emerge as requisites of success in the field of creative photography. First, the subject must be photogenic. Second, its re-creation in a photograph must be based upon technical knowledge, guided and supported by artsitic inspiration.»

reference:The Best of Popular photography,1979

 
approved √ 

«Unless a subject intrest me, I’ll pass it over and save my film for better things»

reference:The Best of Popular photography,1979, page 21

 
approved √ 

«The first impression of a new subject is not necessary the best. Seen from a different angle or under different condition it might look even better. Always study a three – dimensional subject with one eye closed.»

reference:The Best of Popular photography,1979, page 64

 
approved √ 

«The camera can push the new medium to its limits – and beyond. It is there – in the “beyond” – that the imaginative photographer will compete with the imaginative painter. Painting must return to the natural world from time to time for renewal of the artistic vision. The key sector of renewal of vision today is the new vistas revealed by science. Here photography, which is not only art but science also, stands on the firmest ground.»

reference:The Best of Popular photography,1979, page 161

 
approved √ 

«With a short lens I can reveal the hidden things near at hand, with a long lens the hidden things far away. The telephoto lens provides a new visual sensation for people: it widens their horizons. And, conversely, the things under our nose invariably look good when blown up really big.»

reference:The Best of Popular photography,1979, page 161

 
approved √ 

«What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, symphathy, and understanding, can be transformed into an emotionally rewarding experience.»

reference:The Best of Popular photography,1979, page 246

 
approved √ 

«Any good photograph is a successful synthesis of technique and art.»

reference:The Best of Popular photography,1979, page 246

 
approved √ 

«The photographer has almost as much control over his subject matter as a painter. He can control light and shade, form and space, pattern and texture, motion and mood, everything except composition.»

reference:The Best of Popular photography,1979, page 71

 
approved √ 

«A technically perfect photograph can be the world’s most boring picture.»

reference:The Best of Popular photography,1979, page 247

 
approved √ translation √

«Bei ungünstigen Lichtverhältnissen oder unfotogenen Motiven ist es eine Kunst, NICHT auf den Auslöser zu drücken!»

1 votes

reference:Andreas Feininger:Andreas Feiningers große Fotolehre ,2001

 
approved √ translation √

«Talent ist wichtiger als Technik.»

1 votes

reference:Andreas Feininger:Andreas Feiningers große Fotolehre ,2001

 
approved √ translation √

«Die Tatsache, dass eine technisch fehlerhafte Fotografie gefühlsmäßig wirksamer sein kann als ein technisch fehlerloses Bild, wird auf jene schockierend wirken, die naiv genug sind, zu glauben, dass technische Perfektion den wahren Wert eines Fotos ausmacht.»

1 votes

reference:Andreas Feininger:Andreas Feiningers große Fotolehre ,2001

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